tag:blogger.com,1999:blog-70279995889868680232024-03-12T19:11:43.142-07:00THE FRONTLINE EASTtanelhttp://www.blogger.com/profile/15901679183628063401noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7027999588986868023.post-1203290612428752562014-12-30T04:25:00.001-08:002023-07-15T18:31:40.686-07:00<div class="separator" style="clear: both; text-align: center;">
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<b><span face="Verdana, sans-serif" style="font-family: arial;">THE FRONTLINE EAST</span></b></div><div style="text-align: center;"><b><span face="Verdana, sans-serif" style="font-family: arial;"><br /></span></b></div>
<div style="text-align: center;">
<span face="Verdana, sans-serif" style="font-family: arial;">exhibition by Tanel Rander</span></div>
<div style="text-align: center;">
<span face="Verdana, sans-serif" style="font-family: arial;">13.01. - 30.01.2015 in LCCA, Riga</span><div style="margin-bottom: 0in;">
<span face="Verdana, sans-serif"><br />
</span><br /><span style="font-family: arial;"><span face="Verdana, sans-serif">There are two different types of transformation in Eastern Europe: </span></span></div><div style="margin-bottom: 0in;"><span style="font-family: arial;"><span face="Verdana, sans-serif"><br />
a) post-Socialist transformation as the basic difference of Eastern Europe;</span><br />
<span face="Verdana, sans-serif">b) transformation from biopolitics to necropolitics while being part of the Global West's peripheral and militarized frontline.</span></span></div><div style="margin-bottom: 0in;"><span style="font-family: arial;">
<span face="Verdana, sans-serif"><br /></span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;">
<span face="Verdana, sans-serif" style="font-family: arial;">In the book “Necropolitics,
Racialization,
and Global Capitalism” (2014)
Marina Gržinić and Šefik Tatlić write
about “the former East” as one of the dark sides of European
Union and the West. They relate the
dark side mostly with migration and labor politics of Europe, but
since 2014 “the
former East” occurs as the strategic military frontline,
constituted by the regions that have borders with Russia.</span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;">
<span face="Verdana, sans-serif" style="font-family: arial;"><br />
</span></div>
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<span style="font-family: arial;"><span face="Verdana, sans-serif">The exhibition gives overview of my artistic activities during the past years until 2014, when a new paradigm started.</span></span></div><div align="JUSTIFY" style="margin-bottom: 0in;"><span style="font-family: arial;"><span face="Verdana, sans-serif"><br /></span></span></div><div align="JUSTIFY" style="margin-bottom: 0in;"><span style="font-family: arial;">Those activities included collaborations with the artist Karolina Kubik and the artist group 10x10m. </span></div><div align="JUSTIFY" style="margin-bottom: 0in;"><span style="text-align: center;"><span style="font-family: arial;"><br /></span></span></div><div align="JUSTIFY" style="margin-bottom: 0in;"><span style="text-align: center;"><span style="font-family: arial;">The
exhibition of part of my artistic research on decolonial rearticulation of the discourse of Eastern Europe. </span></span></div><div align="JUSTIFY" style="margin-bottom: 0in;"><span style="text-align: center;"><span style="font-family: arial;"><br /></span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;"><span style="font-family: arial;"><span face="Verdana, sans-serif">The earlier research-based exhibitions were:</span></span></div><div align="JUSTIFY" style="margin-bottom: 0in;"><span style="font-family: arial; text-align: center;"><br /></span></div><div align="JUSTIFY" style="margin-bottom: 0in;"><span style="font-family: arial; text-align: center;">- “Decolonize This”
(2012, Y Gallery, Tartu), more info: </span><a href="http://decolon.blogspot.com/" style="font-family: arial; text-align: center;">http://decolon.blogspot.com</a></div>
<div align="JUSTIFY" style="margin-bottom: 0in;">
<span style="font-family: arial;"><span face="Verdana, sans-serif"><br /></span><span face="Verdana, sans-serif">- “No
Borders – No Difference?” (2013,
Tartu Art House),
more
info:</span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;">
<a href="http://nobordersnodifference.blogspot.com/"><span face="Verdana, sans-serif" style="font-family: arial;">http://nobordersnodifference.blogspot.com</span></a></div>
<div style="margin-bottom: 0in;">
<span face="Verdana, sans-serif"><br />
</span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;"><span face="Verdana, sans-serif" style="font-family: arial;">The current exhibition has an educational program, based on the following events:</span></div>
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<span face="Verdana, sans-serif" style="font-family: arial;"><br />
</span></div>
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<span style="font-family: arial;"><span face="Verdana, sans-serif">Lecture/seminar “Three
Displays of Eastern Europe” (Tanel Rander), 14<sup>th</sup> of
January at 18.30 (LCCA)</span><br />
<span face="Verdana, sans-serif"><br /></span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;">
<span face="Verdana, sans-serif" style="font-family: arial;">Lecture “Unlearning
Eastern Europe” (Magdalena Radomska from<span style="text-align: center;"> Adam Mickiewicz University, Poznan, Poland, and </span><span style="text-align: center;">Tanel Rander), 27</span><sup style="text-align: center;">th</sup><span style="text-align: center;"> of January at 18.30
(LCCA)</span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;">
<span face="Verdana, sans-serif" style="font-family: arial;"><br />
</span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;">
<span face="Verdana, sans-serif" style="font-family: arial;">Thanks:
10x10m, Indrek
Grigor, Estonian
Culture Endowment,
Kaisa
Eiche, Karolina Kubik</span></div>
<span face="Arial, Helvetica, sans-serif" style="font-size: x-small;"><br /></span></div>
tanelhttp://www.blogger.com/profile/15901679183628063401noreply@blogger.com0tag:blogger.com,1999:blog-7027999588986868023.post-35981414015504867812014-12-27T22:03:00.001-08:002023-07-15T18:36:04.893-07:00<span style="font-family: arial;"><b><span face="Verdana, sans-serif">PART I</span></b><br /><span face="Verdana, sans-serif"><br /></span></span><div><span style="font-family: arial;"><span face="Verdana, sans-serif">East European poverty can be seen as a natural resource for Western welfare society. It brings in cheap labor. </span><br />
<span face="Verdana, sans-serif"><br />
Documentation of performance <b>"Human Forestry"</b> (collaboration with 10x10m group, 2012, Kiasma, Helsinki, Finland) - video and manifesto:</span><br />
<span face="Verdana, sans-serif"><br />
<a href="http://chnldr.blogspot.com/2012/11/human-forestry-10-x-10-meters-est.html">http://chnldr.blogspot.com/2012/11/human-forestry-10-x-10-meters-est.html</a></span><br />
<span face="Verdana, sans-serif"><br />
<br />
</span><br />
</span><div align="JUSTIFY" style="margin-bottom: 0in;">
<span face="Verdana, sans-serif" style="font-family: arial;"><span style="color: black;">The
performance „Human Forestry“ by 10 x 10 meters was dedicated to
Estonian migrants working in Finland, but also to all other East
European workers in the West. The performance took place in Helsinki,
Kiasma and included the following: Estonian national resources –
timber and human labor – were transported over the Gulf of Finland
on the expenses of Estonian Culture Endowment. The timber – a huge
pile of logs – was located in front of the gallery space of Kiasma,
by using physical work of four people. Kiasma as the hosting
institution for this event was let free to interpret, use or archive
the logs as the embodiment of migrant labor. This statement was
addressed to Finnish and Estonian societies. People who'd agree with
this statement were asked to join rolling the logs into gallery space
of Kiasma between 2 PM and 5 PM on 7-th of October 2012. </span>
</span></div>
<span style="font-family: arial;"><span face="Verdana, sans-serif"><br />
<br />
<b>PART II</b></span><br />
<span face="Verdana, sans-serif"><br />
The biopolitical narratives of the formation and neoliberal management of East European nation states, transforming towards necropolitical war states.</span><br />
<span face="Verdana, sans-serif"><br />
1. <a href="https://vimeo.com/81323243"><b>The Strategical Planning of Transformation</b> </a>(2013, video)</span><br />
<span face="Verdana, sans-serif"><br />
<a href="http://chnldr.blogspot.com/2013/12/blog-post.html">http://chnldr.blogspot.com/2013/12/blog-post.html</a></span><br />
<span face="Verdana, sans-serif"><br />
2. <b>Photo series</b> (2015)</span><br /><br />
</span><div align="JUSTIFY" style="margin-bottom: 0in;">
<span style="font-family: arial;"><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">A
new kind of transformation has taken place in the Post-9/11 West. It
means that death has obtained the strategic importance in organizing
life. This fact is covered by privileges, freedoms and necessities,
but in certain occasions it reveals itself directly. </span></span></span>
</span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;">
<span style="font-family: arial;"><br /></span></div>
<div align="JUSTIFY" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="color: #1a1a1a;">“</span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">Life
Call” is the recruitment campaign of </span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">E</span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">stonian
Defen</span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">s</span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">e
Forces that started off in 2008 and used advertising images in
Hollywood </span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">style.
It was related with NATO membership and military operations </span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">in
the overseas. O</span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">ne
of the advertising banners has the following text: </span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;"><i>“Life
Call. A call to protect your close ones all over the world. What
could be more important than protecting those who cannot defend
themselves? What could be more important than protecting life in
Estonia? Nothing. This was, </i></span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;"><i>this</i></span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;"><i>
is my </i></span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;"><i>very
</i></span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;"><i>life
call”. </i></span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">The
advertising speaks of death through its denial, in the way that the
actual message “Death Call” is articulated in reverse: “Life
Call”. </span></span></span></span>
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<span style="font-family: arial;"><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">But
what is th</span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">is</span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">
life that is being organized by the strategic participation of death?
The transformation of the meaning of life could be illustrated with
the advertising of SEB Bank (Swedish bank, second largest in Estonia)
in street art style, painted on the wall of the bank building in
Tartu. It portrays a giant banker (male figure, wearing a suit)
holding a watering can and pouring water </span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">on</span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">to
a sprouting green plant that is surrounded by tiny, flying
insect-like humans. Here the financial capital appears as the
inseminating primary source of life, and the banker performs as a
patriarchal and divine figure, while humans have been reduced to
small insects and their organic existence is only depending on the
financial capital and the will of the banker. The</span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">reby
the</span></span></span><span style="color: #1a1a1a;"><span><span style="font-size: 13pt;">
existential meaning of life as such is defined by financial capital
that operates in the society through the authoritarian and
patriarchal relations between humans and global capital. </span></span></span></span>
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<span style="font-family: arial;"><b><span face="Verdana, sans-serif">PART III</span></b><br />
<span face="Verdana, sans-serif"><br />
Eastern Europe since 2014 - the Russian-Western conflict, Ukraine war, occupation of Crimea and militarization of the Baltics, Poland and Romania. It marks the "return" of Eastern Europe and its transformation from the concept of "The Former East" to the concept of "The Frontline East".</span><br />
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In this part i expose my public activities as artist and curator: </span><br />
<span face="Verdana, sans-serif"><br />
1. Performance <b>"Colonial Wound</b>" (collaboration with Karolina Kubik), Creature Live Art Festival, Kaunas, Lithuania. The performance was based on a set of physical activities dedicated to the militarization of the Baltic states, Poland and Romania.</span><br />
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<a href="http://chnldr.blogspot.com/2014/11/blog-post.html">http://chnldr.blogspot.com/2014/11/blog-post.html</a></span><br />
<span face="Verdana, sans-serif"><br />The documentation is based on photos, text and its censored version (related with the event in UP Gallery, Berlin)</span><br />
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2. <b>"Waiting for the Gray Ship"</b> (2014, documentation video + catalogue), exhibition in <span style="background-color: white; color: #141823; line-height: 17px;">Y Gallery (Jakobi 1, Tartu) 15.10. - 09.11.2014; artists: </span><span style="background-color: white; color: #141823; line-height: 17px; text-align: justify;">Anna Hints, Jass Kaselaan, Karolina Kubik (Poland), Evi Pärn, Krišs Salmanis (Latvia), Eva Sepping, Toomas Thetloff, Maria Vous; curated by Tanel Rander</span></span><br />
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<a href="http://ygalerii.blogspot.com/2014/10/halli-laeva-oodates-15-okt-9-nov-2014.html">http://ygalerii.blogspot.com/2014/10/halli-laeva-oodates-15-okt-9-nov-2014.html</a></span><br />
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Video guide (video by Indrek Grigor):</span><br />
<a href="https://www.youtube.com/watch?v=TnzrSCEuTEc"><span face="Verdana, sans-serif">https://www.youtube.com/watch?v=TnzrSCEuTEc</span></a></span><br /><span face="Verdana, sans-serif"><br />
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<span face="Arial, Helvetica, sans-serif"><br /></span></div>tanelhttp://www.blogger.com/profile/15901679183628063401noreply@blogger.com0