East European poverty can be seen as a natural resource for Western welfare society. It brings in cheap labor.
Documentation of performance "Human Forestry" (collaboration with 10x10m group, 2012, Kiasma, Helsinki, Finland) - video and manifesto:
http://chnldr.blogspot.com/2012/11/human-forestry-10-x-10-meters-est.html
PART II
The biopolitical narratives of the formation and neoliberal management of East European nation states, transforming towards necropolitical war states.
1. The Strategical Planning of Transformation (2013, video)
http://chnldr.blogspot.com/2013/12/blog-post.html
2. Photo series (2015)
PART III
Eastern Europe since 2014 - the Russian-Western conflict, Ukraine war, occupation of Crimea and militarization of the Baltics, Poland and Romania. It marks the "return" of Eastern Europe and its transformation from the concept of "The Former East" to the concept of "The Frontline East".
In this part i expose my public activities as artist and curator:
1. Performance "Colonial Wound" (collaboration with Karolina Kubik), Creature Live Art Festival, Kaunas, Lithuania. The performance was based on a set of physical activities dedicated to the militarization of the Baltic states, Poland and Romania.
http://chnldr.blogspot.com/2014/11/blog-post.html
The documentation is based on photos, text and its censored version (related with the event in UP Gallery, Berlin)
2. "Waiting for the Gray Ship" (2014, documentation video + catalogue), exhibition in Y Gallery (Jakobi 1, Tartu) 15.10. - 09.11.2014; artists: Anna Hints, Jass Kaselaan, Karolina Kubik (Poland), Evi Pärn, Krišs Salmanis (Latvia), Eva Sepping, Toomas Thetloff, Maria Vous; curated by Tanel Rander
http://ygalerii.blogspot.com/2014/10/halli-laeva-oodates-15-okt-9-nov-2014.html
Video guide (video by Indrek Grigor):
https://www.youtube.com/watch?v=TnzrSCEuTEc
Documentation of performance "Human Forestry" (collaboration with 10x10m group, 2012, Kiasma, Helsinki, Finland) - video and manifesto:
http://chnldr.blogspot.com/2012/11/human-forestry-10-x-10-meters-est.html
The
performance „Human Forestry“ by 10 x 10 meters was dedicated to
Estonian migrants working in Finland, but also to all other East
European workers in the West. The performance took place in Helsinki,
Kiasma and included the following: Estonian national resources –
timber and human labor – were transported over the Gulf of Finland
on the expenses of Estonian Culture Endowment. The timber – a huge
pile of logs – was located in front of the gallery space of Kiasma,
by using physical work of four people. Kiasma as the hosting
institution for this event was let free to interpret, use or archive
the logs as the embodiment of migrant labor. This statement was
addressed to Finnish and Estonian societies. People who'd agree with
this statement were asked to join rolling the logs into gallery space
of Kiasma between 2 PM and 5 PM on 7-th of October 2012.
PART II
The biopolitical narratives of the formation and neoliberal management of East European nation states, transforming towards necropolitical war states.
1. The Strategical Planning of Transformation (2013, video)
http://chnldr.blogspot.com/2013/12/blog-post.html
2. Photo series (2015)
A
new kind of transformation has taken place in the Post-9/11 West. It
means that death has obtained the strategic importance in organizing
life. This fact is covered by privileges, freedoms and necessities,
but in certain occasions it reveals itself directly.
“Life
Call” is the recruitment campaign of Estonian
Defense
Forces that started off in 2008 and used advertising images in
Hollywood style.
It was related with NATO membership and military operations in
the overseas. One
of the advertising banners has the following text: “Life
Call. A call to protect your close ones all over the world. What
could be more important than protecting those who cannot defend
themselves? What could be more important than protecting life in
Estonia? Nothing. This was, this
is my very
life
call”. The
advertising speaks of death through its denial, in the way that the
actual message “Death Call” is articulated in reverse: “Life
Call”.
But
what is this
life that is being organized by the strategic participation of death?
The transformation of the meaning of life could be illustrated with
the advertising of SEB Bank (Swedish bank, second largest in Estonia)
in street art style, painted on the wall of the bank building in
Tartu. It portrays a giant banker (male figure, wearing a suit)
holding a watering can and pouring water onto
a sprouting green plant that is surrounded by tiny, flying
insect-like humans. Here the financial capital appears as the
inseminating primary source of life, and the banker performs as a
patriarchal and divine figure, while humans have been reduced to
small insects and their organic existence is only depending on the
financial capital and the will of the banker. Thereby
the
existential meaning of life as such is defined by financial capital
that operates in the society through the authoritarian and
patriarchal relations between humans and global capital.
PART III
Eastern Europe since 2014 - the Russian-Western conflict, Ukraine war, occupation of Crimea and militarization of the Baltics, Poland and Romania. It marks the "return" of Eastern Europe and its transformation from the concept of "The Former East" to the concept of "The Frontline East".
In this part i expose my public activities as artist and curator:
1. Performance "Colonial Wound" (collaboration with Karolina Kubik), Creature Live Art Festival, Kaunas, Lithuania. The performance was based on a set of physical activities dedicated to the militarization of the Baltic states, Poland and Romania.
http://chnldr.blogspot.com/2014/11/blog-post.html
The documentation is based on photos, text and its censored version (related with the event in UP Gallery, Berlin)
2. "Waiting for the Gray Ship" (2014, documentation video + catalogue), exhibition in Y Gallery (Jakobi 1, Tartu) 15.10. - 09.11.2014; artists: Anna Hints, Jass Kaselaan, Karolina Kubik (Poland), Evi Pärn, Krišs Salmanis (Latvia), Eva Sepping, Toomas Thetloff, Maria Vous; curated by Tanel Rander
http://ygalerii.blogspot.com/2014/10/halli-laeva-oodates-15-okt-9-nov-2014.html
Video guide (video by Indrek Grigor):
https://www.youtube.com/watch?v=TnzrSCEuTEc
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